Finland attracts foreign film productions with proficient, English-speaking crews and a culture of trust that yield great-looking results while ensuring that the process runs better.
The eastern Finnish Koli region, part of which is a national park, has long been a source of artistic inspiration. Its sweeping lake views and snow-capped treetops have beguiled painters and composers for centuries.
English actor Emma Thompson, who filmed the 2025 action-thriller The Dead of Winter in Koli, made a point of sending a letter for publication in Helsingin Sanomat, Finland’s main newspaper and the largest-circulation daily in the Nordic countries.
“From the moment I landed,” wrote Thompson, “I was met with kindness and warmth, with deep hospitality and humour by people who made my stay in Koli feel more and more like home.”
The production didn’t arrive there by accident. Koli was deemed to be a dead ringer for Minnesota when suitable snow couldn’t be found in the original US setting. For the local crew in Finland, subzero conditions were business as usual.
Variety and other international media picked up on the news that Thompson was so taken by her Finnish filming experience.
“I would encourage colleagues in my industry with all my heart to locate productions here,” she wrote. “If you need dramatic landscape, it is here; if you need brave-hearted, highly sensitive and indomitable crew people, they are here; if you need comfort and a homely life, it is here.”
North stars

Glenn Close embraced Finland’s coastal setting while filming The Summer Book, living in the house used for production.Photo: Roxana Reiss
Thompson’s feeling is far from isolated. A growing number of international stars have filmed in Finland in recent years, each drawn to different aspects of the culture.
Glenn Close, for one, embraced Finland’s coastal quiet while filming The Summer Book, adapted from Finnish artist and author Tove Jansson’s novel and primarily shot on Rankki Island in the archipelago off the coast of the southern Finnish town of Kotka. She lived in the house used for filming throughout production, later describing the experience as “extraordinary.”
For Jason Segel, it was Finnish work-life balance. While filming Over Your Dead Body, which premiered at SXSW in 2026, the schedule was less relentless than he was accustomed to.
Breaking Bad star Aaron Paul, meanwhile, marvelled at the sheer abundance of saunas on offer – including one inside his hotel room – during production of 2022’s Dual in the central western Finnish city of Tampere.
Such marquee names carry weight. According to Fanny Heinonen, programme director of Film Tampere, the recent growth is also the result of several forces coming together.
“One is that Finland already has a strong reputation when it comes to filmmaking, at least Europe-wide,” Heinonen explains. “The second is that incentive regimes have been built – both nationally and regionally – so the infrastructure and financing are in place.”
A combined cash rebate of up to 40 percent of costs incurred during production makes for a compelling bottom line.
“Money counts, especially the first time around,” Heinonen says. “If it doesn’t make sense on a spreadsheet, then it doesn’t make sense.”
From location to collaboration

Koli’s lake views and snow-draped forests have inspired artists for centuries. Now they are drawing international film productions north.Photo: Jussi Helttunen/Visit Finland
Another factor behind Finland’s rise onscreen is the ecosystem it has built with international partners.
One of these is XYZ Films, a Los Angeles-based production company that has brought a number of productions to Tampere, including those starring Segel and Paul. XYZ also tapped the local effects studio Troll VFX for the Netflix production Havoc, starring Tom Hardy.
So, what has kept XYZ coming back?
“The familiarity with Finland, the incentive, knowing the crews and the hard work that comes with them,” says Aram Tertzakian, XYZ’s cofounder.
“If the local actors weren’t great – they’ve had big roles in all the films we’ve made here – the films would have had no leg to stand on.”
One aspect of filming in Tampere continues to catch producers used to Los Angeles gridlock off guard.
“It really takes around 30 minutes to scout a studio, Nokia Arena, forest and countryside – and then come to dinner,” Film Tampere’s Heinonen says with a laugh. “You don’t have to schedule sitting in traffic for hours into your filming call sheets.”
Beyond Hollywood

Subzero temperatures are business as usual for Finnish crews working on productions such as Blood & Sweat. The series, a Finnish-Japanese joint effort, signals Finland’s growing role in global storytelling.Photo: Annamaria Palsi-Ikonen/Production ICS Nordic
For all of the Tinseltown sheen surrounding Tampere these days, Heinonen notes that other collaborative markets are in their sights.
“Our strategy is not only LA or Hollywood,” Heinonen says. “There’s a whole globe.”
International partnerships are already bearing fruit. The spring 2026 premiere of the series Blood & Sweat, coproduced by Tampere-based ICS Nordic and starring Anne Watanabe and Jasper Pääkkönen, marks a new chapter. Spanning Finland and Japan, the drama demonstrates how stories developed in Finland are reaching audiences worldwide.
Yet for Heinonen, Finland’s recent success comes down to more than incentives or locations.
“Everything boils down to partnership and trust,” she says. “This is business. There are many other countries with cash rebates – palm trees, white sands, lots of options. If you don’t have a good experience, why would you return?”
By James O’Sullivan, June 2026








































