When you walk into Rushan Nasretdin’s art studio in the southern Finnish town of Järvenpää, you don’t see paint tubes, palettes and canvases. Instead, birch bark, branches and rocks line the shelves. There’s a woodsy, fresh smell and you feel your shoulders relax, as if you just stepped into the forest.
That’s because most of Nasretdin’s art supplies don’t come from a shop, but straight from the Finnish forests and archipelago. As the founder of Seed Art Studio, an English-immersion children’s art studio, Nasretdin leads hands-on natural ink workshops using locally sourced materials.
She also works with what other people might throw away, such as flowers reaching the end of their life, discarded library books and old musical scores.
Following the rhythm of the forest

Old musical scores from 1914 and library books bound for the recycling bin find a second life at Seed Art Studio.
For Nasretdin, the whole process is about slowing down and following nature’s rhythms. It all began during Covid-19 as a personal grounding practice: daily two-hour walks in her local forest, observing her surroundings and experimenting with natural materials to create ink.
“When you go out and see what the forest is offering, it’s a very childlike experience,” she says.
While Finland’s “every person’s right” allows people to roam freely and gather certain natural products, such as berries and mushrooms, it does not extend to collecting most other natural materials. Wood, bark, lichen and similar elements can generally only be taken with permission or on private land, and protected areas have stricter rules.
Her inkmaking also follows the seasons: foraging from spring to autumn, then working with those materials through the winter months.
“It’s a blessing that everyone has access to nature here,” says Nasretdin. “I also love feeling a sense of reciprocity: nature is always giving, but how can we give back? Perhaps by even just saying thank you, or teaching our kids to be respectful to the forest.”
Curiosity over craft

The kids described the workshop as relaxing – they played, chatted, laughed and picked up English vocabulary for Finnish nature along the way.
What started as a solo practice has bloomed into a distinctive part of Nasretdin’s work. In her workshops, she mostly steps back and lets people play. There’s no guided drawing or perfect outcome. Children as young as two or three find their own way to experiment with how the inks blend with each other on paper.
“I remember this one boy who was completely in the zone for a good hour, like a little scientist-artist, his face full of amazement,” says Nasretdin. “That’s why I do this.”
Unlike conventional paint, natural inks are unpredictable. Ink from poinsettia bracts, for example, begins as a deep red on paper, then slowly shifts to the greenish-grey of the Baltic Sea.
“Working with natural materials is freeing – it gives room for making mistakes and experimentation. You can’t fully control the outcome, so it becomes a co-creation with nature that brings out curiosity and joy.”
At a recent workshop, participants ages nine to 17 created oak leaf mobiles: leaf shapes cut from recycled paper, painted with inks made from acorn caps, rust water, alder cones, aronia berries and birch leaves, then strung on a stick with a pinecone at the end.
A hands-on way to connect with nature

“There’s a whole world of natural colour out there,” says Nasretdin, whose studio shelves hold everything from alder cones to rust water.
Nasretdin also offers natural ink workshops for adults, adding a touch of creativity to business conferences and work wellbeing days. “You’re touching pieces from nature. It’s a lovely way to reset and reconnect with nature during a hectic day.”
For Nasretdin, the workshops are about more than making art. They’re about helping people – especially children – grow a deeper relationship with the forest and a sense of respect for it.
“I’d love for young children to grow up seeing forests from an even deeper perspective and realise there’s magic there.”
By Kelly Duval; photos by Emilia Kangasluoma, August 2026

















